Nirav took a moment of quiet to share his background as an artist ahead of #NP-DROP01. Topics ranged from his underlying motivations as a photographer to his thoughts on fashion as a new medium of photography.

To start, could you share a bit about yourself and talk about how you became a photographer?

I was born in India and raised by my grandmother for the first two years of my life while my parents came to the US to build a life for us. I knew how hard my parents had worked for me to have a better life, so I chose a career path that felt “secure”. I studied civil engineering and immediately after graduating, found a job designing wineries in Napa Valley. Four years into my career, I was laid off during a recession. This is when I found my parent’s wedding album which made me realize how incredibly important it was to document moments and preserve memories. Photography became a hobby but quickly elevated to an obsession.

I found solace in the quiet solitude that photography offered, especially during such a turbulent phase in my life. This tranquility became a central theme in my work. I've always been drawn to the art of storytelling, and photography for me is a way to tell stories visually. I fell in love with photography when I realized how it can capture emotions and moments that words often can't. It's this ability to immortalize moments and evoke powerful emotions that drives my passion for photography.

“It's this ability to immortalize moments and evoke powerful emotions that drives my passion for photography.”

Your photos have a tranquility and stillness to them that evokes such a sense of calm and reflection, what you often describe as 'finding the quiet' - can you share more about this philosophy and style?

My philosophy of 'finding the quiet' is about capturing the calm and tranquil moments that often go unnoticed. It's about focusing on the subtleties, the nuanced expressions, and the soft light that brings a sense of peace. These quiet moments speak volumes and convey a depth of emotion that I hope resonates with viewers. When I'm photographing, be it a person or a scene, I look for these moments of quiet. I aim to strip away the noise, the distractions, and focus on the raw, honest emotion. The goal is to create images that not only reflect the subject's exterior but also their interior world.

I hope this approach allows my work to connect with viewers on a deeper level, inviting them to pause, reflect, and find a sense of tranquility in their own lives. It's an invitation to slow down, to appreciate the beauty in the quiet, and to find peace in solitude.

“When I'm photographing, be it a person or a scene, I look for these moments of quiet. I aim to strip away the noise, the distractions, and focus on the raw, honest emotion. The goal is to create images that not only reflect the subject's exterior but also their interior world."

How do you think about balancing your work between events and commissioned work and personal photography? Do you have any advice for photographers looking to seek balance and symbiosis between photographic realms?

It's essential to find a balance between commissioned work, events, and personal projects. Commissioned work and events allow me to collaborate with others and bring their vision to life, while personal projects let me explore my own creativity. As for advice, I'd say always make time for your own projects. They are an opportunity to experiment, learn, and define your unique style.

Building from the prior question, for your personal work do you have what you'd call a classic 'photographic style' or genre?

For my personal work, I wouldn't box myself into a specific genre or style. I believe in the fluidity of creativity, the freedom to explore, and the courage to push boundaries. This allows my work to evolve organically.

What mistakes should a younger photographer look to avoid?

I would say not to rush to establish a style; but rather let it develop naturally over time. It’s an iterative approach.. Also, don’t let the fear of failing keep you from trying new things. There’s nothing better than experimentation for growth and finding a visual voice that is truly your own.

Why do you think fashion can be a powerful medium for photography and how has Memento influenced that opinion?

“When combined with the art of photography, as wonderfully done by Memento, it transforms into a symphony of intentionality and creativity. It's a beautiful blend of two mediums, both reliant on purpose and imagination.”

Nirav Patel - The Great Blue World X

Fashion serves as a powerful canvas… a testament to self-expression and artistic ingenuity. When combined with the art of photography, as wonderfully done by Memento, it transforms into a symphony of intentionality and creativity. It's a beautiful blend of two mediums, both reliant on purpose and imagination, which breathes life into creations that are not only beautiful but also palpable. This fusion, this dance of fashion and photography, manifests as a tangible testament to human creativity, an echo of beauty in every seam and frame.

When getting your work out into the world, how do you think about the balance between offline and online mediums? Whether it be monographs, books, Memento, or classic prints. What do you think this balance will look like 50 years from now?

The digital age has significantly impacted how we share and consume art. Online platforms offer accessibility and reach a global audience, while physical prints provide a tactile experience that digital can't replicate. In 50 years, I believe there will still be a balance. While digital will continue to grow, the desire for tangible, physical art will persist. They each offer unique experiences and cater to different needs and preferences.

MEMENTO BY NIRAV PATEL NOW AVAILABLE

Nirav Patel - Alina